By Jean-Julien Aucouturier
With nearly 1.5 million members, could concerts in Second Life be the future of music?
The two artists, both professional musicians, couldn’t be more different. One is a live-show powerhouse, playing more than 20 sell-out gigs per month. His fans travel from all over the world just to see him, and many have been following him since the early days. The other is not reaching the audience he deserves. Embroiled in a disproportionate network of industrial interests, his artistic freedom is jeopardized and his music denied radio airplay.